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No one knows, but they give you a wonderful sense of communicating with the makers, especially as you can occasionally make out that the Dots have fingers. It seems as though the daubers first put the red paint on their palms and then looks like they slapped their hands against the wall. Some people were a bit careless and got paint all over their hand, thus leaving imprints of their fingers as well.
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The paint must have been quite fluid as there are occasional paint runs, which makes it all very human. Another great panel of dots is thought to be by one artist, as the handprints all seem to be the same. This panel to the left has a vague resemblance to a great Bison, but it could be just a coincidence.
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I looked and found myself staring into the eyes of the most beautiful Bear. The red outline is pure and graceful. I was about two feet from the painting and absolutely bowled over. “There is another one behind it”, Jean called. I turned and saw another red Bear. What a pair. How did the artist draw such wonders in such a confined space, and why?
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