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The Rock Art Network Johannes H. N. Loubser
The Rock Art Network Johannes H. N. Loubser
The Rock Art Network Johannes H. N. Loubser
Johannes H. N. Loubser
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Stratum Unlimited

Johannes H. N. Loubser
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Johannes (Jannie) Loubser, PhD and RPA, is the archaeologist and rock art specialist at Stratum Unlimited, LLC. In 1989 Johannes Loubser received a PhD in archaeology from the University of the Witwatersrand, South Africa. In the same year he also received a post-graduate diploma in rock art conservation and management from the University of Canberra, Australia.  Loubser is a Research Associate at the Rock Art Research Institute (RARI) at the University of the Witwatersrand and the LAMAR Research Institute in Georgia.  He has worked on numerous archaeological and rock art projects in southern and eastern Africa, North and South America, Australia, and the islands of Hawaii and the Caribbean.

Between 1979 and 1985 Loubser conducted ethno-archaeological work on a a variety of  stone-walled settlements that were built by Bantu-speaking agriculturalists in South Africa, including Sotho-Tswana sites in Gauteng, Ndebele sites in Polokwane, and Venda sites in the Soutpansberg.  His other excavations in South Africa include an Early Iron Age site on the Tugela River, a Late Stone Age site on the Riet River, and a historic period site at Breyten. All these projects resulted in a better understanding of culture history sequences, settlement layouts, and oral histories.

Since he emigrated from South Africa to Georgia in 1993, Loubser has been conducting CRM archaeology and rock art work in the United States of America.  His archaeological work in the southeastern United States, primarily as a Principal Investigator with New South Associates, Inc., included a variety of Phase I surveys, Phase II test excavations, and Phase III data recoveries in Georgia, Florida, North and South Carolina, and Alabama, specializing in the Woodland  and Mississippian periods.  As an independent archaeologist with Stratum  Unlimited LLC since 2006, Loubser has been leading excavations in Oregon, western North Carolina, and northeastern Georgia. He also partook as consultant in archaeological fieldwork projects in California, Hawaii, Idaho, and North Carolina. He has authored and co-authored 200 reports concerning CRM work in the United States.

During his position as head of the Rock Art Department at the National Museum in South Africa, between 1987 and 1993, Loubser  recorded over 200 painted rock shelters in the Caledon River valley.  While in Australia in 1989, he gained considerable experience concerning rock art site conservation and management.  Loubser has worked  on  graffiti removal and rock art condition assessment projects with the Getty Conservation Institute (GCI) in 1989 (Australia), 1991 (California), 1994 (Baja California), 1995 (Baja California), and 1996 (Baja California). Through the years Loubser has shared his experience in rock art conservation and management with  archaeologists, rock art specialists, government agency personnel, and the general public, both in the field and at conferences and workshops in South Africa, Bolivia, France, Jamaica, Mexico, and across the United States of America. Loubser has thoroughly mapped, recorded, and sequenced 20 rock art sites on the Carrizo Plain for the Bureau of Land Management. In collaboration with archaeologists from the Forest Service and various volunteers, Loubser has also mapped, recorded, and sequenced 28 petroglyph sites in Georgia and the Carolinas.

In order to disseminate the results of his CRM-related work, Loubser publishes summaries of his research in books and journals. Among the publishers of Loubser's books and book chapters are AltaMira PressLeft Coast PressCambridge University PressThe University of Alabama Press, The University of Arizona PressWits University Press, and the South African National Museum.  Journals that have published articles by Loubser include Advances in World Archaeology, Cambridge Archaeological Journal, South African Journal of Science, The South African Archaeological Bulletin, Southern African Humanities, Time & Mind, American Anthropologist, American Indian Culture and Research Journal, and Early Georgia.  Loubser has authored and co-authored 110 articles and chapters.

Johannes Loubser is former co-chair of Society for American Archaeology Rock Art Interest Group, former Committee Member of Society for American Archaeology Excellence in Analysis Award, and former Vice-President of Georgia Council of Professional Archaeologists.  Special awards bestowed on Loubser include the Honorary Title of Distinguished Visitor from the town of Sucre in Bolivia and Merit Award for Archaeology from the University of the Witwatersrand in South Africa.  Loubser is on the editorial team of Time & Mind.

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Latest Article
→ Women Hunters in Indian Rock Art
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LATEST ARTICLE
Bradshaw Foundation Donate Friends
RECENT ARTICLES
Bradshaw Foundation Donate Friends
→ Vingen Rock Art in Norway at Risk
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by Amy van den Berg
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by Ben Dickins
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by Wendy All
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→ The aftermath of fire damage to important rock art at the Baloon Cave tourist destination, Carnarvon Gorge, Queensland, Australia
by Paul Taçon
24 November 2019
→ The removal and camouflage of graffiti: The art of creating chaos out of order and order out of chaos
by Johannes H. N. Loubser
11 November 2019
→ The Histories of Australian Rock Art Research symposium, 8-9 December 2019, Griffith University, Gold Coast, Queensland, Australia
by Paul Tacon
5 November 2019
→ San rock art exhibition at the National Museum & Research Center of Altamira
by Aron Mazel
17 September 2019
→ The 2018 Art on the Rocks Colloquium
by Wendy All
2 December 2018
→ Preserving Our Ancient Art Galleries: Volunteerism, Collaboration, and the Rock Art Archive
by Wendy All
1 December 2017
→ Altamira and the New Technology for Public Access
by Pilar Fatás Monforte
30 April 2017
→ From the Chauvet Cave to the Caverne du Pont d’Arc: Methods and Strategies for a Replica to Preserve the Heritage of a Decorated Cave That Cannot Be Made Accessible to the Public
by Jean-Michel Geneste
29 April 2017
→ Emerging Consciousness and New Media: The Management of Rock Art in Southeast Asia and New Opportunities for Communicating Its Significance
by Noel Hidalgo Tan
28 April 2017
→ Step by Step: The Power of Participatory Planning with Local Communities for Rock Art Management and Tourism
by Nicholas Hall
27 April 2017
→ Fundraising for Rock Art by Promoting Its Values
by Terry Little
26 April 2017
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Bradshaw Foundation Donate Friends
LATEST ARTICLE
Bradshaw Foundation Donate Friends
RECENT ARTICLES
Bradshaw Foundation Donate Friends
→ Vingen Rock Art in Norway at Risk
by Rock Art Network
6/02/2024
→ Professor emeritus Knut Arne Helskog is awarded the King's Medal of Merit
by Rock Art Network
14/12/2023
→ Escaped slaves, rock art and resistance in the Cape Colony, South Africa
by Sam Challis
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→ Markwe Cave, Zimbabwe
by Aron Mazel
30/11/2023
→ Art and Influence, Presence and Navigation in Southern African Forager Landscapes
by Sam Challis
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by Sam Challis
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by Rock Art Network
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by Rock Art Network
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→  Reflecting on the abundance of sheep and baboon paintings in Junction Shelter, Didima Gorge, South Africa
by Aron Mazel
2/11/2023
→  Rock Art Sites Protection and Guides Training In Satpura Tiger Reserve
by Meenakshi Dubey-Pathak
26/09/2023
→  Rock art and frontier conflict in Southeast Asia: Insights from direct radiocarbon ages for the large human figures of Gua Sireh, Sarawak
by Paul Taçon
24/08/2023
→  Beginning of a Rock Art Journey - Recording Paintings in the uKhahlamba-Drakensberg 1979 - 1980
by Aron Mazel
13/06/2023
→  Murujuga's rock art is at risk – where is the outrage?
by Paul Taçon
5/06/2023
→  Identifying the artists of some of Australia's earliest art
by Paul Taçon
15/03/2023
→ Between Monument and Water: Burial rites, location of megalithic monuments and rock art of the Kilmartin Valley, Argyll, Western Scotland (Stage 1 of the Motifs and Monuments Project)
by George Nash
14/03/2023
→ Rock Art Training and Recording Petroglyphs in Laos
by Noel Hidalgo Tan
10/02/2023
→ Unlocking a hidden landscape
by George Nash
01/02/2023
→ 'Powerful Images - Indian rock art from its earliest times to recent times'
by Meenakshi Dubey-Pathak, Pilar Fatás Monforte
29/11/2022
→ Signalling and Performance: Ancient Rock Art in Britain and Ireland
by Aron Mazel, George Nash
21/09/2022
→ Histories of Australian Rock Art Research
by Paul S.C. Taçon, Sally K. May, Ursula K. Frederick, Jo McDonald
07/07/2022
→ Rock Art and Tribal Art: Madhya Pradesh
by Meenakshi Dubey-Pathak
26/07/2022
→ Marra Wonga: Archaeological and contemporary First Nations interpretations of one of central Queensland’s largest rock art sites
by Paul Taçon
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→ David Coulson MBE
by David Coulson
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→  Extraordinary Back-to-Back Human and Animal Figures in the Art of Western Arnhem Land, Australia: One of the World's Largest Assemblages
by Paul Taçon
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→  An online course by SEAMEO Regional Centre for Archaeology and Fine Arts (SPAFA)
by Noel Hidalgo Tan
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→  Cupules and Vulvas in the Alwar area, Rajasthan
by Meenakshi Dubey-Pathak
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→  Color Engenders Life - Hunter-Gatherer Rock Art in the Lower Pecos Canyonlands
by Carolyn Boyd & Pilar Fatás
02 March 2022
→  David Coulson receives RGS Cherry Kearton Award
by David Coulson
07 February 2022
→  Vandalised petroglyphs in Texas
by Johannes H. N. Loubser
06 February 2022
→  Hand Stencils in Chhattisgarh
by Meenakshi Dubey-Pathak
05 February 2022
→  And then they were gone: Destruction of the Good Hope 1 rock paintings
by Aron Mazel
28 January 2022
→  Early masterpieces: San hunter-gatherer shaded paintings of the uKhahlamba-Drakensberg and surrounding areas
by Aron Mazel
8 September 2021
→  Aїr Mountains Safari - Sahara
by David Coulson
17 August 2021
→  The Neolithic rock art passage tombs of Anglesey as brand-new virtual tours
by Ffion Reynolds
21 June 2021
→  A Map from the Memory of the World
by Janette Deacon
8 June 2021
→  The dangers of 'Discovering' rock art
by Peter Robinson
1 June 2021
→  Dharkundi and Deurkuthar Rock Art Sites in Central India
by Meenakshi Dubey-Pathak
1 June 2021
→ Dating the Earth and its Rock Art
by Neville Agnew
23 May 2021
→ Studying the Source of Dust Using a Simple and Effective Methodology:
by Tom McClintock
30 April 2021
→ ABC Radio National 'Nightlife' with Philip Clark - 'Exploring the wonders of cave art in Australia'
by Professor Paul S.C. Taçon & Dr Josephine McDonald
30 April 2021
→ A Painted Treasure - San hunter-gatherer visual engagement with Didima Gorge (South Africa)
by Aron Mazel
10 March 2021
→ L'Atlas de la grotte Chauvet-Pont d'Arc
by
Jean-jacques Delannoy &
Jean-Michel Geneste
1 February 2021
→ Oldest cave painting found in Indonesia
by Rock Art Network
14 January 2021
→ Graffiti Dates and Names as a Rock Art Conservation and Management Tool
by Johannes H. N. Loubser
29 October 2020
→ Animals in Rock Art
by Aron Mazel
7 October 2020
→ Reflecting Back: 40 Years Since ‘A Survey of the Rock Art in the Natal Drakensberg’ Project (1978-1981)
by Aron Mazel
29 September 2020
→ Art on the Rocks in the Age of COVID-19
by Neville Agnew & Tom McClintock
15 September 2020
→ Explore Cederberg rock art from your home
by Janette Deacon
9 September 2020
→ The Continuum of Art: The relationship between Ice Age art and contemporary art and how an understanding of the former can help engage a modern audience
by Peter Robinson
16 August 2020
→ Illuminating the Realm of the Dead: The Rock Art within the Dolmen de Soto, Andalucía, Southern Spain
by George Nash
29 July 2020
→ Rock Art Adventurous Field Work during COVID-19 in the Southernmost of South America
by María Isabel Hernández Llosas
9 June 2020
→ The Final Passage - FAQ
by Jean-Michel Geneste
1 June 2020
→ Experts rush to map fire-hit rock art
by Andrew Bock
15 May 2020
→ Sacred Indigenous rock art sites under threat
by Amy van den Berg
12 May 2020
→ Virtual Meeting
by Ben Dickins
22 April 2020
→ The Bradshaw Foundation Launches the Rock Art Network Website
by Wendy All
23 March 2020
→ The aftermath of fire damage to important rock art at the Baloon Cave tourist destination, Carnarvon Gorge, Queensland, Australia
by Paul Taçon
24 November 2019
→ The removal and camouflage of graffiti: The art of creating chaos out of order and order out of chaos
by Johannes H. N. Loubser
11 November 2019
→ The Histories of Australian Rock Art Research symposium, 8-9 December 2019, Griffith University, Gold Coast, Queensland, Australia
by Paul Tacon
5 November 2019
→ San rock art exhibition at the National Museum & Research Center of Altamira
by Aron Mazel
17 September 2019
→ The 2018 Art on the Rocks Colloquium
by Wendy All
2 December 2018
→ Preserving Our Ancient Art Galleries: Volunteerism, Collaboration, and the Rock Art Archive
by Wendy All
1 December 2017
→ Altamira and the New Technology for Public Access
by Pilar Fatás Monforte
30 April 2017
→ From the Chauvet Cave to the Caverne du Pont d’Arc: Methods and Strategies for a Replica to Preserve the Heritage of a Decorated Cave That Cannot Be Made Accessible to the Public
by Jean-Michel Geneste
29 April 2017
→ Emerging Consciousness and New Media: The Management of Rock Art in Southeast Asia and New Opportunities for Communicating Its Significance
by Noel Hidalgo Tan
28 April 2017
→ Step by Step: The Power of Participatory Planning with Local Communities for Rock Art Management and Tourism
by Nicholas Hall
27 April 2017
→ Fundraising for Rock Art by Promoting Its Values
by Terry Little
26 April 2017
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